Showing posts with label Flying Dutchman Records. Show all posts
Showing posts with label Flying Dutchman Records. Show all posts

Saturday, 11 June 2011

Gil Scott-Heron - Free Will (1972)


Gil Scott-Heron's third album is something of a mishmash of the first two - part confrontational, spoken word, rhythmic poetry, and part soul-jazz-funk-blues musical genius. On Side 1 - the music side - Gil, backed by many of the same musicians as on "Pieces Of A Man," excels. The title track, "The Get Out Of The Ghetto Blues," "Speed Kills" and "Did You Hear What They Said?" are all classics. Side 2 is a mixed bag, ranging from the blunt, paranoid conspiracy theory of "The King Alfred Plan" to the simple and subtle "Billy Green Is Dead" to the tongue-in-cheek flippancy of "Sex Education: Ghetto Style." Overall a bit of a mixed bag, but still a strong effort with typical Scott-Heron inventiveness and insight.

Check out Discogs for album info:

Available on Import CD from Amazon:
(amazon.com) Free Will

Sunday, 5 June 2011

Gil Scott-Heron - Pieces Of A Man (1971)


Gil Scott-Heron's second album, "Pieces Of A Man," was far more musical than his minimalist, poetic debut. Backed up by a bevy of talented musicians, including Ron Carter, Bernard "Pretty" Purdie, Hubert Laws, and soon-to-be main collaborator Brian Jackson, the album was quite possibly his most cohesive and accessible. Of Scott-Heron's voice, Carter would later say, "He wasn't a great singer, but with that voice, if he whispered it would have been dynamic. It was a voice like you would have for Shakespeare." Dynamic and full of feeling certainly applies to this collection, with not a weak piece to be heard. My fave's include the reworked "The Revolution Will Not Be Televised," the biting, honest "Home Is Where The Hatred Is," and the haunting "Pieces Of A Man." If you're a fan of Gil Scott-Heron, you probably have this already; if not, this is as good a place to start appreciating his genius!

On to Discogs for album info:

Gil Scott-Heron - Small Talk At 125th And Lenox (1970)


Gil Scott-Heron died just over a week ago, on May 27th, 2011. One of THE black musical pioneers of the 70's, his death passed almost as a footnote; I didn't learn of his passing until several days later when "R.I.P." posts of his better known albums suddenly started appearing on other blogs. Out of the limelight since the early 80's, it's hardly surprising that his end went almost unnoticed; at the same time, the loss of the man many consider the father of Rap and Hip Hop (a title Scott-Heron actively avoided) should probably have received greater coverage. As a high school and college student in the 60's, Scott-Heron studied writing and poetry, and it was through these media that he first garnered attention. He first gave serious consideration to music as a medium for expression in 1969, after the Last Poets played a concert at his university, and in 1970, his debut album, "Small Talk..." was released. Mostly spoken-word, in a live setting and with minimal accompaniment, the album took on varied themes, from the hypocrisy of many black "revolutionaries," to the superficiality of TV and mass consumerism, to the ignorance of the white middle classes regarding difficulties faced in inner-city ghettos. Highlights included "The Revolution Will Not Be Televised," possibly his best known song, along with the title track, "Enough" and "Everyday". This album is hard to find on CD - hopefully his passing brings Scott-Heron's music renewed attention, and a re-issue of his catalogue.

Album information on Discogs: